• • This is true. But something does seem wrong with the behavior here. There is quite a bit more space than I'd expect - it should at least come a little closer to working well than it does. Plus, I'm not understanding why the accidentals themselves are rendering with default font rather than the custom one. Download Opus Chords, font family Opus Chords by Avid Technology, Inc. With Regular weight and style, download file name is OPUSC__.TTF. Download Opus Chords Sans, font family Opus Chords Sans by Sibelius Software, a division of Avid Technology, Inc. Hello All, According to page 290 of Sibelius First Reference.pdf, 'Opus Chords Sans is a sans serif font and is the default in house styles that use Arial as the main text font.' When I choose any House Style that uses Arial as the the main text font, only Opus Chords and/or Opus PlainChords (serif fonts) display in the score, instead of the. FontPalace.com offers a huge collection of around 72,000 TrueType and OpenType free fonts. Browse, search and download free fonts for Windows and Mac. Search Free Fonts has largest Free Fonts selection. I thought I had set it up to prefer the font from the chosen font. Although in this case, that would be a mistake, because I'm betting Opus doesn't use standard Unicode flat and sharp signs. So I do want to take a look and see what is going on. You can indeed get stacking of bass notes by editing the chord description file. See the lines that define 'renderRoot' and 'renderBass'. I've never tried doing this in particular as I don't like that look - takes up too much space vertically and just isn't as familiar to me or more people accustomed to charts that do it more horizontally. But I'm thinking it would work to do a 'push' at the beginning of renderRoot, a 'pop' at the beginning of renderBass, followed by a m:0:8 (you'll have to experiment to find an appropriate value there to get the bass the right distance below) and then the bass note. Well, probably another set of push/pop/m commands to also get an underscore in there as a separator. You might try this, and if you have trouble figuring it out, maybe post a reply back to your thread in the forum, to avoid cluttering this issue with that discussion. Anyhow, I think I have a handle on spacing issue itself. The issue is that MuseScore is trying to use the flat sign in the selected font, but the font you are using doesn't have a flat sign (or if it does, it is not in the standard Unicode location). Something within Qt appears to be realizing there is no flat sign and it is thus substituting the flat sign from some unknown other font, and that flat sign has a ton of space around it for some reason. ![]() What I'd like to do is convince Qt to fall back to MScore1 for any characters it cannot find in the selected font. This would allow everything to 'just work'. Open Sans Font I am not sure how to do this, though. Bus simulator pc. For now, though, the workaround is to edit the chords_std.xml and remove the two 'sym' declarations that define 'b' and '#'. MuseScore will then symbol use the 'b' and '#' characters fromt the font itself, and in the case of the Opus fonts, that measn you get flat and sharp signs. I'm striking out so far. Opus Chords Sans Std Font There is a Qt function QFontMetrics::inFont() that is supposed to tell you if a character is in the font, so in theory I can get MuseScore to use whatever flat sign I tell it to if a font lacks one of its own. Unfortunately, inFont() always tells me the font has the flat sign. I guess it's trying to outsmart me and using glyph substitution when answering the question.
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